Capt. Homer Jackson (
thirstforvice) wrote2013-11-02 11:02 pm
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Entry tags:
Ripper Street/Hung out to dry
The day after Jackson pulled Drake from the boxing rings, neither of them go into the shop. Drake's too hurt to work, but the Captain knows he'd still try unless physically restrained. So that's what he does, keeping his lover as good as a prisoner in their own room. The day after that, he relents and they return to work together.
For a couple of days, all is fine, their arguings forgotten. They travel together both to and from Leman Street, taking advantage of the currently quiet calm of Whitechapel to stroll through the busy main streets, enjoying the market stalls and street acts. Of course, calms tend to come before storms, and after their few days of bliss, crime levels return to normal, and Jackson finds himself working in his dead room into the evening, with Drake headed home long since.
He makes his own way home long after the sun has set. Wanting to be in the warmth and comfort of Bennet's arms as soon as possible, he takes the quickest way home possible, cutting through the back alleys rather than walking the main streets. They're not always the safest of places, but he's well known in most of the local establishments and, as far as he's aware, no one (currently) bears him any grudges.
That's why he's taken so very much by surprise when the gaggle of men appear across his path, effectively blocking his path. At first, he assumes they must be waiting somebody behind him, but when he turns he finds himself quite alone, more men cutting off any hope of escape from behind. In the dim light, he notices a flash of colour on the breasts of his aggressors, and he remembers the boy who'd killed the toyseller, back when he'd first started working with Reid and Drake on a full time basis.
"I don't know what quarrel you good folks have with me," he tries his best to be friendly, hands raised high in submission. He does not see any reason for the Vigilance Men to target him, he's nothing but a good citizen (in public). "Perhaps you could explain."
"It's a sin, what you do," one of the men responds, bulkier than the others, clearly the ringleader. "These streets have sin enough without your sort adding to it."
"My sort?" Jackson drops his hands, defensive, not sure what these men mean but sure that he doesn't like it. "Y'know I'm far from the only Yankee walkin' these streets."
"We ain't talkin' about that," Ringleader spits. "We know what you get up to with that Sergeant. It's ungodly. It don't belong here. Not in London."
Jackson's blood runs cold. He doesn't know how these men know about his relationship with Drake, but he knows that they're serious. And that not only is he in danger, but Drake too. Maybe there's already another mob out after him, if they haven't found him already. Is he already too late?
He's one against ten, at least, and not made for fighting. He has his revolver, but he'd only manage to take down one or two before the others were on him. His only hope is in speed, reflexes. He'd survived many a beating back at Tenter Street thanks to those abilities. Slowly, he moves as if to raise his hands again, looking to submit, before at the last moment kicking his heels into the dirt and running full tilt for a gap between two mob members, hoping to break past and out into the main streets.
His ploy doesn't work, and next thing he knows he's on his back, heavy fists and heavier boots smashing into any and every body part they can find. He knows they mean to kill, and so only one solution now presents itself to him. Curling up as tight as he can manage, he forces himself to fall completely still, relaxing his muscles against the onslaught. It's agony like he's never experienced, but after a moment or two the battering stops. He hears the voices, discussing whether or not he's dead. One steel-capped boot finds his spine with a particularly hefty kick, and he bites hard on his lip to keep silent and limp. It does the trick, and after a few seconds the footsteps and voices start to retreat.
Jackson waits until he's sure they've gone, before slowly uncurling his broken body. Everything screams at him, and he knows a good many bones must be broken. But he cannot think on that now. He has to get to Drake, before the same happens to him. Or worse. Drake wouldn't think to play dead. He'd try and fight back.
He doesn't know how he makes it back home. He doesn't walk, he knows that, must have dragged himself along the ground. But then the door is there, and he manages to knock on it before the darkness takes him.
For a couple of days, all is fine, their arguings forgotten. They travel together both to and from Leman Street, taking advantage of the currently quiet calm of Whitechapel to stroll through the busy main streets, enjoying the market stalls and street acts. Of course, calms tend to come before storms, and after their few days of bliss, crime levels return to normal, and Jackson finds himself working in his dead room into the evening, with Drake headed home long since.
He makes his own way home long after the sun has set. Wanting to be in the warmth and comfort of Bennet's arms as soon as possible, he takes the quickest way home possible, cutting through the back alleys rather than walking the main streets. They're not always the safest of places, but he's well known in most of the local establishments and, as far as he's aware, no one (currently) bears him any grudges.
That's why he's taken so very much by surprise when the gaggle of men appear across his path, effectively blocking his path. At first, he assumes they must be waiting somebody behind him, but when he turns he finds himself quite alone, more men cutting off any hope of escape from behind. In the dim light, he notices a flash of colour on the breasts of his aggressors, and he remembers the boy who'd killed the toyseller, back when he'd first started working with Reid and Drake on a full time basis.
"I don't know what quarrel you good folks have with me," he tries his best to be friendly, hands raised high in submission. He does not see any reason for the Vigilance Men to target him, he's nothing but a good citizen (in public). "Perhaps you could explain."
"It's a sin, what you do," one of the men responds, bulkier than the others, clearly the ringleader. "These streets have sin enough without your sort adding to it."
"My sort?" Jackson drops his hands, defensive, not sure what these men mean but sure that he doesn't like it. "Y'know I'm far from the only Yankee walkin' these streets."
"We ain't talkin' about that," Ringleader spits. "We know what you get up to with that Sergeant. It's ungodly. It don't belong here. Not in London."
Jackson's blood runs cold. He doesn't know how these men know about his relationship with Drake, but he knows that they're serious. And that not only is he in danger, but Drake too. Maybe there's already another mob out after him, if they haven't found him already. Is he already too late?
He's one against ten, at least, and not made for fighting. He has his revolver, but he'd only manage to take down one or two before the others were on him. His only hope is in speed, reflexes. He'd survived many a beating back at Tenter Street thanks to those abilities. Slowly, he moves as if to raise his hands again, looking to submit, before at the last moment kicking his heels into the dirt and running full tilt for a gap between two mob members, hoping to break past and out into the main streets.
His ploy doesn't work, and next thing he knows he's on his back, heavy fists and heavier boots smashing into any and every body part they can find. He knows they mean to kill, and so only one solution now presents itself to him. Curling up as tight as he can manage, he forces himself to fall completely still, relaxing his muscles against the onslaught. It's agony like he's never experienced, but after a moment or two the battering stops. He hears the voices, discussing whether or not he's dead. One steel-capped boot finds his spine with a particularly hefty kick, and he bites hard on his lip to keep silent and limp. It does the trick, and after a few seconds the footsteps and voices start to retreat.
Jackson waits until he's sure they've gone, before slowly uncurling his broken body. Everything screams at him, and he knows a good many bones must be broken. But he cannot think on that now. He has to get to Drake, before the same happens to him. Or worse. Drake wouldn't think to play dead. He'd try and fight back.
He doesn't know how he makes it back home. He doesn't walk, he knows that, must have dragged himself along the ground. But then the door is there, and he manages to knock on it before the darkness takes him.
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"Laudanum. Morphine. Please..."
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He reaches out tentatively with the corner of the sheet to wipe away the blood, trying so hard not to be afraid.
"Which men?"
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"Hide. R-Run. Don't... they'll find you... don't... don't let them, Benny..."
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And Drake knows where he must go. He carefully lowers Homer to the bed and stands.
"The Vigilance Men," he says quietly. He can do nothing for Homer now, nothing like what this surgeon can, and he has always been a man of action.
"I think I'll pay them a visit."
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"Stop him..." he begs of the surgeon that takes his lover's place.
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The night is cold but he does not feel it, anger hot in his veins, and he heads to where they patrol, fancy themselves protectors. He imagines his fist smashing against Lusk's grinning face and it drives away the images of Homer lying bloody and broken on their bed.
He doesn't have to look far to find them, gathering in a crowd between the pubs and whorehouses.
"And then we left him for dead!"
Without pausing for breath, Drake throws off his coat and charges, club raised. He smashes it down on one man's arm, earning his howl, before moving on to the next.
"It's the bent copper!"
"He's come to protect his moll."
The laughter is nasty and it fuels his ire, until his world is a blur of broken teeth and bloody noses. But he hadn't counted on reinforcements and when fresh arms lend themselves to the fight, Drake is dragged under in a sea of limbs attempting to throttle him.
Forced to his knees, his head is yanked back to look up at Lusk's crowing face. "You disgust me. What you do...it's a hanging offence. And so you'll swing for it."
Shouts of glee rise up from the assembled crowd and Drake is hauled along the streets, clawing and biting and fighting until his last breath. They knock him about with his own billy club until he can barely see straight, his still-healing ribs threatening to cave in from the blows.
Drake finds the cobbles of Leman Street beneath his feet and he almost cries with laughter at their arrogance. But the victory dies in his throat as a thick noose falls around his neck, the rope coiled around the sign for The Bear, and he knows that any rescue will be too late.
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"We go via Leman Street," he demands through bloody teeth. "Or I will die under your care, quack, and it will be... your failing." He knows enough about these English types to know that he will do whatever he can to save his reputation. It is easier even than he suspected to get the carriage to divert via the station, to alert Reid and his men that the Vigilance Men are at large and must be stopped.
The carriage ride is torture, every bump jolting at broken bones and mangled flesh, but Jackson survives it mostly conscious. Laid out in the back, he is just able to see the noose through the grimy window. Despite his injuries, he finds it in himself then to sit up and cry out for assistance.
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He chokes, fingers clawing to get beneath the rope, to give him an inch, but in vain.
Vaguely, he hears the whistles of his comrades, spilling from the station. But the world is already starting to fade away.
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"Is he...?"
"Alive? Yes." The doctor's back too.
"Look after him." Jackson makes his last request before closing his eyes.
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"Get them inside! Inside!"
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But he is alive, and to be honest that was more than he was expecting.
"Drake!" He calls out in a voice hoarse from underuse. He has no idea how long he has been out for, nor what has become of his lover. "Bennet!"
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"Will you pipe down, sir? You do your friend no favours with your hollering."
Drake, for his part, is glad to hear his lover's voice and know that he lives.
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"You do yourself no favours with that tone," he complains, loudly, instead. "Answer my questions, dammit. Where is Drake? Tell me."
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The exasperated surgeon turns his attention back to the errant doctor. "He is beside you and he lives. Now quieten yourself and rest, sir!"
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"Tell me what's wrong with him."
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Treves realises he will have to deal with the American after all. "There is extensive swelling of the laryngeal tissues and I am attempting to ascertain if his spine is broken. And he suffers the same litany of injuries that you yourself bear, Captain."
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"Evidently," the surgeon says, dryly.
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"You ain't gonna drop anyone from so precarious a perch. Only way you'd do that is to string him up, and that ain't gonna break anything. Not enough force."
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"Any other pointers, Captain?"
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"You've missed my wrist. God knows what else you've failed to set."
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"I was seeing to your colleague's more pressing injury, Captain. If you would but lie still, I will have your wrist set directly. Keep on in this vein, however, and you may find your jaw wired shut instead."
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"I do not need to be still," he complains, and rashly tries to remove himself from the bed. His right leg, however, has other ideas, sending agony screaming through him when he tries to move it. The pain is enough to silence even Homer Jackson.
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"If you wish to remain in the same room as your friend, you will be still and quiet while I work."
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He reaches for the bottle of laudanum without thinking, the bottle at his lips before he catches himself. He won't do that, not now, not with Drake lying right next to him. With considerable effort, he pushes the bottle away.
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